How TikTok remixes are reviving music from the 2010's – hypebot.com

From the sped-up sound of Nightcore to the slowed-down sound of Slowed & Reverb, simple remixes are helping tracks from the 2010s go viral on TikTok.

by Alejandra Arevalo of Chartmetric
As we discovered in our last 6MO report, the rise of TikTok has also led to a rise in 2010s music consumption. The social media platform brought back to the spotlight songs such as Demi Lovato’s “Cool for the Summer” (2015) and Nelly Furtado’s “Say It Right” (2006) after sped up versions of them went viral. As of November, #spedup and #speedsongs have 12.2B and 18.2 B views on TikTok, respectively.
“Say It Right – Sped Up Remix” is currently Furtado’s most popular song, with a Chartmetric Track Score of 485. The song exploded after user @jamie32bsh posted a Tiktok video vibing to the song in front of his bathroom mirror, which now has 51.5M likes and has been replicated by celebrities such as Jason Derulo and Prince Royce.
Creating sped up versions of songs isn’t a new phenomenon. For decades, fans have been changing up the tempo to feel their favorite songs in a different way or circumvent YouTube’s content identification system when using tracks without licensing. What’s new is the ease with which these alternative song versions are becoming popular across frontiers, driving up artists’ streaming numbers in turn. 
With 2.4M videos on TikTok, it’s fair to say that TikTok users loved “Cool for the Summer – Sped Up (Nightcore),” a new release that renewed the relevance of Lovato’s 2015 track. Lovato created this new version in collaboration with Speed Radio, an anonymous artist known for uploading sped up tracks to Spotify. Lovato’s Nightcore track came out in response to DJ Kuya Magik’s unofficial mashup of “Cool for the Summer” and Ginuwine’s “Pony”, which has racked up 1.3M likes and 2.3M posts since its release in March 2022.
“Cool for the Summer – Sped Up (Nightcore)” has quickly become a favorite of Spotify curators. In eight months, the sped up track has been added to 7.7K playlists—a milestone that took its original counterpart three years to achieve.
Speed Radio, the co-creator of the sped up version, has seen an exponential rise in popularity this year, going from 225K monthly listeners in March 2022 to 7.6M in November. The anonymous artist has also seen a rise in Spotify followers, garnering more than 13K followers in the past six months. Their top three songs are “Say It Right – Sped Up Remix” by Nelly Furtado, “Lights (Sped Up Version)” by Ellie Goulding, and “Cool for the Summer – Sped Up (Nightcore).”
Sped up songs are often called Nightcore, a style born out of increasing a track’s tempo and pitch. The style is named after Norwegian DJ duo Nightcore who are considered pioneers of this production technique thanks to their 2002 high-pitched album. While the DJs worked with Dance tracks, the speed up technique soon took over other music genres like Pop and Rock.
Increasing the pitch and tempo often makes vocals sound cartoonish, similar to the voices of Alvin and the Chipmunks. As a result, the “Chipmunk” moniker has also been used to describe sped up songs. Back in the early and mid-2000s, Chipmunk Soul became extremely popular among producers who wanted to experiment with “the voice as an instrument.” The trend later expanded beyond Soul to sampling from other genres including Reggae and Middle Eastern music. Wu-Tang Clan, especially frontman RZA, is considered one of the foundational references of high-pitched, sped up vocals and an inspiration for the following generation of Hip-Hop artists.
“I was definitely influenced and inspired by those Wu-Tang and RZA records. I heard the power in them. Songs like ODB’s ‘Snakes’ or Raekwon & Ghostface’s ‘Ice Cream,’ you hear that sample, that rawness and power. It can’t be topped,” hip-hop producer and Chipmunk Soul early adopter Ayatollah told the Red Bull Music Academy.
Whether you want to call the new TikTok viral hits Nightcore, Chipmunk, or sped up, it’s clear that up-tempo remixes are making an impact. While most sped up song variations on social media are made by DJs and anonymous content creators today, artists are moving toward releasing alternative versions themselves. 
Panic! At The Disco announced in late October that they would release the official sped up and slowed down versions of their 2016 track “House of Memories” after alternative versions of the song created by anonymous accounts went viral on TikTok. In September 2022, the song reached its highest Chartmetric track score ever, correlating with its TikTok popularity. “Weird to live in a world where bands are posting official Nightcore versions of songs,” a comment on the YouTube video of the official sped up version reads. The slowed down version also got its good share of attention. “This slowed downed version makes it so evil i love it,” a comment reads.
While increasing a track’s tempo can clearly make an impact, slowing it down—and spacing it out—seems to be able to produce a similar effect. The hashtag #slowedandreverb currently has 735M views on TikTok, indicating the strong popularity of slow tempo tunes.
Ruth B’s “Dandelions” didn’t get much attention when it was released in 2017 but became a sensation once the slowed down version went viral on Tiktok. The slowed down sound is the soundtrack of 711.4K TikTok videos while the original has been used in 30.1K videos. The new version feels heartfelt and melancholic, as the lower pitch and slower pace emphasize the romantic lyrics, which makes it the perfect backdrop for love and wedding videos.
Since the slowed version was released in August 2021, the Canadian artist has increased her Spotify monthly listeners from 9M to 19M in November 2022. The popularity of the slowed down track actually contributed to the rise of the original version, which is now Ruth B’s most streamed track on Spotify.
The recent popularity of slowed down tunes has been attributed to Houston producer Jarylun Moore, known online as Slater, whose Slowed and Reverb version of Lil Uzi Vert’s “20 Minutes” went viral on YouTube back in 2017, inspiring other creators to edit music similarly. But the slow tempo sound dates further back to Houston-based DJ Screw, who was known for his chopped and screwed technique. 
Back in the ’90s, DJ Screw would create his famous “Screwtapes” by using two turntables, one with a record at a specific speed and another one with a slower tempo, and then crossfading them. His sound became an influence for modern Hip-Hop and now, a derivative of his technique is used in a wider range of genres to create slowed down tunes.
Slater is open about the influence that DJ Screw has had on his music creation process and wants to make sure the late DJ’s legacy stays alive. “I don’t want people to forget the roots of where this really comes from. I’ll see YouTube comments like, ‘Nice to see chopped and screwed is living on through this art form.’ And a bunch of kids will start attacking that person like, ‘That’s not where this comes from.’ Seeing that hurts my heart,” Slater told Pitchfork.
As often happens in the music industry, any trend that starts off as organic soon gets incorporated into music marketing strategy. While Panic! At the Disco serves as a great example for how labels are using the strategy to breathe new life into older tracks, there are also labels using the strategy to help promote brand new tracks.
Take Virgin Music artist mazie, for example. In July 2021, she released the track “dumb dumb,” which barely broke 1M Spotify streams by July 2022. Once she released the sped up version, “dumb dumb – sped up,” in September 2022, the original version gained 29M streams in just two months. The sped up version itself already has more than 10M streams. In other words, capitalizing on the TikTok-fueled Nightcore trend helped mazie’s song go from 1.6M streams to more than 40M streams in less than 60 days.
A sped-up version of mazie’s single “dumb dumb” was featured on the Netflix sync “Do Revenge” which catapulted the original into the limelight. However, as the sync used a “sped-up” version of the original song, Shazam wasn’t recognizing the song. We re-delivered the original version of her EP with the tracklisting re-sequenced, moving the main version of the “dumb dumb” single to track No. 1 and placing the sped-up version as the last song on the EP. This allowed fans to listen to the sped-up version across their platform of choice, recognition on Shazam, and ensure the sped-up version was accessible across all short-form video platforms. Not only was this a TikTok success, but the sped-up version became the No. 1 top sound on YouTube shorts and the main version the No. 10 top sound, respectively. Plus, the re-delivery of the EP reignited Spotify algorithms and allowed fans to discover other songs on the rest of her project by “waterfalling” from “dumb dumb” as track one on the EP into the rest of the songs on her EP. As of publication, mazie has 3.4M Spotify monthly listeners, a captive audience as we move through the release week of her brand-new single “girls just want to have sex.” — Cindy James, Senior Vice President/Head of Commercial Marketing at Virgin Music Label & Artist Services
While the Nightcore and Slowed and Reverb TikTok remixing trend seems to be playing a big part in giving a second wind to otherwise forgotten tracks from the 2010s, it’s also spurring record labels to adopt the strategy for their frontline releases. Whether it’s playing into the nostalgia factor that we examined with 2000s tracks going viral on TikTok or giving listeners a way to reimagine their experience with a particular track, this trend is breathing life into tracks that didn’t take off the first time, helping artists reach new audiences to which they might not otherwise have been exposed. Our suspicion is that we’ll be seeing many more forgotten tracks—and brand new ones—topping charts after their sped up or slowed reverb versions go viral.
Email address is not displayed with comments





Note: Use HTML tags like <b> <i> and <ul> to style your text. URLs automatically linked.

With the internet and digital technologies driving rapid change within the music industry, articles about new releases and who has been hired and fired are no longer enough. Our up to the minute industry news alongside insightful commentary helps our readers sift through the rumors and developments to find the information they need to keep their businesses moving forward.
Hypebot is read daily by more than 30,000 music industry professionals including executives and senior staff of music related tech firms, internet based music sites, every major label group and most indies as well as many managers, artists and members of the live music community:
Contact us for the latesst stats, ad rates and sponosorship opportunites. We also offer combined rates with MusicThinkTank.
“I swear by Hypebot every morning over breakfast.”
Derek Sivers
Founder, CD Baby
“Hypebot is the most focused music business centric resource we have.”
Celia Hirschman
One Little Indian, Downtown Marketing & KCRW-FM
“Well done.”
Seth Godin
Marketing guru



 

source

More To Explore

Solverwp- WordPress Theme and Plugin